Wednesday, April 10, 2013

Broadcasters worry about 'Zero TV' homes

This undated image provided by James Weitze shows a truck driver taking a self portrait on the road. Weitze satisfies his video fix with an iPhone. He sleeps most of the time in his truck, and has no apartment. To be sure, he's an extreme case and probably wouldn't fit into Nielsen's definition of a household in the first place. But he's watching Netflix enough to keep up on shows like ?Weeds,? ?30 Rock,? ?Arrested Development,? ?Breaking Bad,? ?It's Always Sunny in Philadelphia? and ?Sons of Anarchy.? (AP Photo/James Weitze)

This undated image provided by James Weitze shows a truck driver taking a self portrait on the road. Weitze satisfies his video fix with an iPhone. He sleeps most of the time in his truck, and has no apartment. To be sure, he's an extreme case and probably wouldn't fit into Nielsen's definition of a household in the first place. But he's watching Netflix enough to keep up on shows like ?Weeds,? ?30 Rock,? ?Arrested Development,? ?Breaking Bad,? ?It's Always Sunny in Philadelphia? and ?Sons of Anarchy.? (AP Photo/James Weitze)

LOS ANGELES (AP) ? Some people have had it with TV. They've had enough of the 100-plus channel universe. They don't like timing their lives around network show schedules. They're tired of $100-plus monthly bills.

A growing number of them have stopped paying for cable and satellite TV service, and don't even use an antenna to get free signals over the air. These people are watching shows and movies on the Internet, sometimes via cellphone connections. Last month, the Nielsen Co. started labeling people in this group "Zero TV" households, because they fall outside the traditional definition of a TV home. There are 5 million of these residences in the U.S., up from 2 million in 2007.

Winning back the Zero TV crowd will be one of the many issues broadcasters discuss at their national meeting, called the NAB Show, taking place this week in Las Vegas.

While show creators and networks make money from this group's viewing habits through deals with online video providers and from advertising on their own websites and apps, broadcasters only get paid when they relay such programming in traditional ways. Unless broadcasters can adapt to modern platforms, their revenue from Zero TV viewers will be zero.

"Getting broadcast programing on all the gizmos and gadgets ? like tablets, the backseats of cars, and laptops ? is hugely important," says Dennis Wharton, a spokesman for the National Association of Broadcasters.

Although Wharton says more than 130 TV stations in the U.S. are broadcasting live TV signals to mobile devices, few people have the tools to receive them. Most cellphones require an add-on device known as a dongle, but these gadgets are just starting to be sold.

Among this elusive group of consumers is Jeremy Carsen Young, a graphic designer, who is done with traditional TV. Young has a working antenna sitting unplugged on his back porch in Roanoke, Va., and he refuses to put it on the roof.

"I don't think we'd use it enough to justify having a big eyesore on the house," the 30-year-old says.

Online video subscriptions from Netflix Inc. and Amazon.com Inc. ? which cost less than $15 a month combined ? have given him and his partner plenty to watch. They take in back episodes of AMC's "The Walking Dead" and The CW's "Supernatural," and they don't need more, he says.

He doesn't mind waiting as long as a year for the current season's episodes to appear on streaming services, even if his friends accidently blurt out spoilers in the meantime. With regular television, he might have missed the latest developments, anyway.

"By the time it gets to me to watch, I've kind of forgotten about that," he says.

For the first time, TV ratings giant Nielsen took a close look at this category of viewer in its quarterly video report released in March. It plans to measure their viewing of new TV shows starting this fall, with an eye toward incorporating the results in the formula used to calculate ad rates.

"Our commitment is to being able to measure the content wherever it is," says Dounia Turrill, Nielsen's senior vice president of insights.

The Zero TV segment is increasingly important, because the number of people signing up for traditional TV service has slowed to a standstill in the U.S.

Last year, the cable, satellite and telecoms providers added just 46,000 video customers collectively, according to research firm SNL Kagan. That is tiny when compared to the 974,000 new households created last year. While it's still 100.4 million homes, or 84.7 percent of all households, it's down from the peak of 87.3 percent in early 2010.

Nielsen's study suggests that this new group may have left traditional TV for good. While three-quarters actually have a physical TV set, only 18 percent are interested in hooking it up through a traditional pay TV subscription.

Zero TVers tend to be younger, single and without children. Nielsen's senior vice president of insights, Dounia Turrill, says part of the new monitoring regime is meant to help determine whether they'll change their behavior over time. "As these homes change life stage, what will happen to them?"

Cynthia Phelps, a 43-year-old maker of mental health apps in San Antonio, Texas, says there's nothing that will bring her back to traditional TV. She's watched TV in the past, of course, but for most of the last 10 years she's done without it.

She finds a lot of programs online to watch on her laptop for free ? like the TED talks educational series ? and every few months she gets together with friends to watch older TV shows on DVD, usually "something totally geeky," like NBC's "Chuck."

The 24-hour news channels make her anxious or depressed, and buzz about the latest hot TV shows like "Mad Men" doesn't make her feel like she's missing out. She didn't know who the Kardashian family was until she looked them up a few years ago.

"I feel absolutely no social pressure to keep up with the Joneses in that respect," she says.

For Phelps, it's less about saving money than choice. She says she'd rather spend her time productively and not get "sucked into" shows she'll regret later.

"I don't want someone else dictating the media I get every day," she says. "I want to be in charge of it. When I have a TV, I'm less in control of that."

The TV industry has a host of buzz words to describe these non-traditionalist viewers. There are "cord-cutters," who stop paying for TV completely, and make do with online video and sometimes an antenna. There are "cord-shavers," who reduce the number of channels they subscribe to, or the number of rooms pay TV is in, to save money.

Then there are the "cord-nevers," young people who move out on their own and never set up a landline phone connection or a TV subscription. They usually make do with a broadband Internet connection, a computer, a cellphone and possibly a TV set that is not hooked up the traditional way.

That's the label given to the group by Richard Schneider, the president and founder of the online retailer Antennas Direct. The site is doing great business selling antennas capable of accepting free digital signals since the nation's transition to digital over-the-air broadcasts in 2009, and is on pace to sell nearly 600,000 units this year, up from a few dozen when it started in 2003.

While the "cord-nevers" are a target market for him, the category is also troubling. More people are raised with the power of the Internet in their pocket, and don't know or care that you can pull TV signals from the air for free.

"They're more aware of Netflix than they're aware over-the-air is even available," Schneider says.

That brings us to truck driver James Weitze. The 31-year-old satisfies his video fix with an iPhone. He often sleeps in his truck, and has no apartment. To be sure, he's an extreme case who doesn't fit into Nielsen's definition of a household in the first place. But he's watching Netflix enough to keep up with shows like "Weeds," ''30 Rock," ''Arrested Development," ''Breaking Bad," ''It's Always Sunny in Philadelphia" and "Sons of Anarchy."

He's not opposed to TV per se, and misses some ESPN sports programs like the "X Games."

But he's so divorced from the traditional TV ecosystem it could be hard to go back. It's become easier for him to navigate his smartphone than to figure out how to use a TV set-top box and the button-laden remote control.

"I'm pretty tech savvy, but the TV industry with the cable and the television and the boxes, you don't know how to use their equipment," he says. "I try to go over to my grandma's place and teach her how to do it. I can't even figure it out myself."

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/495d344a0d10421e9baa8ee77029cfbd/Article_2013-04-07-Zero%20TV/id-da2c6d0410824dd78c34cd0b43d32716

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Tuesday, April 9, 2013

McConnell aides secretly taped ripping Ashley Judd (cbsnews)

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Sleaze-raking French website has political elite quaking

By Emmanuel Jarry and Alexandria Sage

PARIS (Reuters) - A fledgling investigative website has made its mark as the top French media exposing government sleaze, with its coup against a minister leaving national newspapers playing catch-up and other politicians quaking.

After a late-2000s debut uncovering alleged graft led to the career downfall of a conservative minister, Mediapart has toppled a second minister, this time in the Socialist government, showing it has no allegiance to left or right.

Its disclosure that the man in charge of public finances had an undeclared Swiss bank account until mid-March has created the biggest sleaze scandal of President Francois Hollande's 11-month-old Socialist government.

Edwy Plenel, a longtime investigative reporter who founded Mediapart in 2008, said on Tuesday a shake-up had been long overdue in a political establishment used to newspapers turning a blind eye to peccadillos.

Unlike in Britain, where tabloids rake over the private lives of public figures hunting for the slightest lapse, extra-marital affairs and minor corruption often stays under the radar in France due to a long tradition of media respecting privacy.

"For too long there has been a tradition of 'journalism of government'. One that takes its legitimacy from those in power and which has forgotten that it is in the service of the people, of the law and citizens' right to know," Plenel said.

The erstwhile budget minister, Jerome Cahuzac, is now under investigation for allegedly laundering proceeds of tax fraud and Hollande is scrabbling to stem the scandal, rushing through a new law on moral standards in public life and promising to publish ministers' assets by next week.

Traditional print media were sceptical of a Mediapart report first run in December and repeatedly denied by Cahuzac, but last week Cahuzac owned up to the bank account and said he had been caught "in a spiral of lies".

MAKING PROFIT

Showing off his newsroom of some 30 reporters in a discreet backstreet in eastern Paris, Plenel told Reuters with a smile that the Cahuzac affair could just be the start of the story.

"We should be able to publish information that stirs things up," he added.

Mediapart caused a storm in conservative Nicolas Sarkozy's government with a 2010 report saying his UMP party had enjoyed illegal funding from billionaire heiress Liliane Bettencourt.

Sarkozy's labor minister Eric Woerth, also UMP treasurer and a former budget minister in the same government, lost his job in a reshuffle and was later placed under formal investigation for illicit party financing.

Sarkozy is now under investigation himself in the affair. Both Sarkozy and Woerth say they have done no wrong.

Mediapart aside, most investigative reporting in France is done by the satirical weekly Le Canard Enchaine, second only to the puppet news show Les Guignols in terms of irreverance.

The highbrow Le Monde dug into the Bettencourt scandal after Mediapart broke the story, but the conservative Le Figaro and the left-wing Liberation have mostly tended to avoid ruffling feathers on their respective sides of the political spectrum.

"In France, unlike the Anglo-Saxon tradition, we don't have a real tradition of investigative journalism. We're surprised when journalists investigate," said Christian Delporte, a professor of media history at the University of Versailles.

Liberation sought to play catch up this week, reporting that Mediapart was looking into whether Foreign Minister Laurent Fabius also had a Swiss account, but Fabius flatly denied he did and Plenel said the story bemused him.

Mediapart is also standing out by turning a profit from its 65,000 online subscriptions while newspapers struggle with falling readership. It broke even in 2010 and posted a 700,000 euro profit in 2012 on turnover of 6 million. Plenel said 1,000 people were signing up each day since the Cahuzac story.

The Canard Enchaine, wafer-thin yet jam-packed with political gossip and satire, also makes money.

Delporte said a thirst for more ruthless reporting in today's world of social media would only increase.

"For years politicians have had a certain arrogance vis-a-vis society but now it will be a lot more difficult," he said.

(Writing by Catherine Bremer; Editing by Mark John and Alison Williams)

Source: http://news.yahoo.com/sleaze-raking-french-website-political-elite-quaking-182728500.html

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Clinton office hostage taker missing from NH unit (Providence Journal)

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Monday, April 8, 2013

Obama's domestic agenda on the line this week

FILE - In this April 5, 2013 file photo, President Barack Obama speaks in the East Room of the White House in Washington. President Barack Obama's second term is on the line, with gun control and immigration in the spotlight on Capitol Hill this week and the White House releasing his long-delayed budget proposal. His victories or defeats will help define his legacy and determine how much political capital he has for the rest of his term. (AP Photo/Susan Walsh, File)

FILE - In this April 5, 2013 file photo, President Barack Obama speaks in the East Room of the White House in Washington. President Barack Obama's second term is on the line, with gun control and immigration in the spotlight on Capitol Hill this week and the White House releasing his long-delayed budget proposal. His victories or defeats will help define his legacy and determine how much political capital he has for the rest of his term. (AP Photo/Susan Walsh, File)

Copies of President Barack Obama's proposed federal budget plan for fiscal year 2014 are prepared for delivery at the U.S. Government Printing Office in Washington, Monday, April 8, 2013. (AP Photo/J. Scott Applewhite)

President Barack Obama hugs Connecticut Gov. Dannel P. Malloy, accompanied by Sen. Richard Blumenthal, D-Conn., left, after Obama arrived at Bradley Air Force Base, Conn., Monday, April 8, 2013. Obama is traveling to the Hartford, Conn., to speak at the University of Hartford, near the state capitol where last week the governor signed into law some of the nation's strictest gun control laws with the Sandy Hook families standing behind him. (AP Photo/Susan Walsh)

President Barack Obama, followed by, from second from left, Rep. Rosa DeLauro, D-Conn., Rep. John Larson, D-Conn., and Sen. Chris Murphy, D-Conn., walks down the steps of Air Force One at Bradley Air Force Base, Conn., Monday, April 8, 2013. Obama traveled to the Hartford, Conn., to speak at the University of Hartford, near the state capitol where last week the governor signed into law some of the nation's strictest gun control laws with the Sandy Hook families standing behind him. (AP Photo/Susan Walsh)

WASHINGTON (AP) ? President Barack Obama's second-term agenda will be robustly tested this week, with gun control and immigration in the spotlight on Capitol Hill and the White House releasing his long-delayed budget blueprint. In a taste of what lies ahead, Democratic gun legislation arrived on the Senate floor Monday ? facing an aggressive Republican effort to block it.

In an era of deep partisanship and divided government, Obama knows he won't get everything he wants on the three big issues as he seeks to capitalize on the national support that brought him re-election. But the scope of his victories or defeats on these issues will in part define his legacy and determine how much political capital he retains for his final four years in office.

"This is his best chance to set up the next 3? years where he's the pace car," said Sara Taylor Fagen, who served as political director for President George W. Bush.

But much of what happens during this pivotal period is out of the president's direct control. Members of Congress will largely determine whether his proposals to deal with gun ownership, revamp broken immigration laws and reduce the federal budget deficit gain traction.

Lawmakers, back in Washington after a two-week recess, are expected to take significant steps on some of the issues this week. A bipartisan group of senators could unveil highly anticipated immigration legislation by the end of the week. And Democrats brought a gun-control bill to the Senate floor Monday afternoon amid a threat from conservative Republicans to use delaying tactics to prevent formal debate from even beginning.

Obama himself flew to Connecticut for a new gun-control speech, and he was bringing relatives of Newtown shooting victims back to Washington on Air Force One to lobby members of Congress.

"The day Newtown happened was the toughest day of my presidency," Obama said Monday. "But I've got to tell you, if we don't respond to this, that'll be a tough day for me, too. Because we've got to expect more from ourselves. We've got to expect more from Congress."

In the midst of all that, Obama will release his 2014 budget, which already is drawing opposition from both parties ahead of its Wednesday publication. Republicans oppose Obama's calls for new tax hikes, and many of the president's fellow Democrats balk at his proposals for smaller annual increases in Social Security and other federal benefit programs.

The White House tried to play down the significance of the week's overlapping events to the president's broader objectives, with Obama spokesman Jay Carney saying the administration is always trying to move forward on "the business of the American people."

Said Carney: "Every one of these weeks is full of the possibility for progress on a range of fronts."

But Obama's advisers know the window for broad legislative victories is narrower for a second-term president. Political posturing is already underway for the 2014 midterm elections, which will consume Congress next year. And once those votes for a new Congress are cast, Washington's attention turns to the race to succeed Obama.

Patrick Griffin, who served as White House legislative director under President Bill Clinton, said Obama's legislative efforts this year are likely to be the "sum and substance" of his second-term agenda.

"I think it would be very tough to put another item on the agenda on his own terms," said Griffin, adding that unexpected events could force other issues to the fore.

On both ends of Pennsylvania Avenue, the outcome of the debate over gun measures is perhaps the most uncertain. The White House and Congress had little appetite for tackling the emotional issue during Obama's first term, but December's horrific elementary school massacre in Connecticut thrust gun control to the forefront of the president's second-term agenda.

If a bill does reach Obama's desk this year, it will be far weaker than what he first proposed. An assault weapons ban appears all but dead, and a prohibition on ammunition magazines carrying over 10 rounds, also supported by the president, seems unlikely to survive.

The White House is largely pinning its hopes on a significant expansion of background checks for gun buyers, but the prospects for such a measure are far from certain, despite widespread public support. The best chance at a deal appears to rest on eleventh-hour talks between Republican Sen. Pat Toomey of Pennsylvania and conservative Democratic Sen. Joe Manchin of West Virginia.

The White House is far more confident about the prospects for a sweeping immigration deal that could provide a pathway to citizenship for millions of people who now are in the country, tighten border security and crack down on businesses that employ people illegally. But the president is treading carefully on the sensitive issues, wary of disrupting a bipartisan Senate working group that has been laboriously crafting a bill.

The group of four Republicans and four Democrats could unveil that legislation as early as this week, a pivotal development that would open months of debate. While the growing political power of Hispanics may have softened the ground for passage, significant hurdles remain.

Looming over Obama's entire domestic agenda is the economy, including the deficit deal that has long eluded him. The budget Obama will release Wednesday proposes spending cuts and revenue increases that would project $1.8 trillion in deficit reductions over 10 years.

That would replace $1.2 trillion in automatic spending cuts that are poised to take effect over the next 10 years if Congress and the president don't come up with an alternative.

Seeking to soften bipartisan opposition to his budget proposals, Obama will dine Wednesday night with a dozen Republican senators, part of the broader charm offensive he launched in recent weeks.

___

Follow Julie Pace at http://twitter.com/jpaceDC

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/89ae8247abe8493fae24405546e9a1aa/Article_2013-04-08-Obama's%20Agenda/id-bddabfc3577f4bdb9b8470bbecff0956

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Sunday, April 7, 2013

Featured Writer: Alice Driver | Vela

Working on a short film project on the Mexican side of the border wall near the international crossing Santa Teresa, New Mexico. Copyright ? 2013 Juli?n Cardona.

Working on a short film project on the Mexican side of the border wall near the international crossing Santa Teresa, New Mexico. Copyright ? 2013 Juli?n Cardona.

1. How did you end up in Mexico City? Can you talk about your trajectory as an academic?

The day after I defended my dissertation at the University of Kentucky, I moved to Mexico City to volunteer at Asilegal (a non-profit that works with vulnerable groups such as women, indigenous people, and the poor to help advocate for their legal rights) and to work as a freelance writer.

Writing my dissertation was a long, lonely process. I wrote about the representation of violence against women in Ju?rez, Mexico in film, literature and photography, and after three years of writing, I wanted to be reimmersed in the world of the living. I wanted to understand violence against women from a different point of view, to work with and speak with those affected by violence. I volunteered with Asilegal for four months, and, although I learned a lot during that time, I also became aware that my bosses were stealing money from the NGO. It was a heartbreaking time.

In terms of my trajectory as an academic, I got my Ph.D. purely out of a love for literature. I always wanted to be a writer, but I was afraid to admit it because I was afraid of failure.

2. How do you navigate being a creative writer in academia? What kind of tension do you feel between those worlds, and how do they influence each other?

There is a definite tension between the two worlds. The problem for me, the reason I have moved towards creative writing and journalism, is that in academia, literary theory has become a sacred cow. Everything has to be written and discussed in light of theory, mostly the heavyweights like Foucault, Agamben, Benjamin, etc. While theory can be useful for analyzing some subjects, mostly it is abused, and it makes for boring, tedious writing.

What I realized in the process of getting my Ph.D. was 1) As far as I can tell, almost nobody reads academic writing by choice 2) I don?t even enjoy reading my own academic writing. So after finishing graduate school I tried to remedy this by writing articles about women?s rights and human rights for Women?s Media Center and other NGOs. I loved the fact that a whole community of people I didn?t know read, commented on and acted out based on things I had written. This year I have discovered a happy balance where my creative writing feeds off my academic research.

3. Your Vela story, ?Disappearances Have To Disappear,? struggles with the ethics of representation. How do you deal with that in your own work? How do you decide what to put in and leave out, and what kinds of questions do you take into consideration when writing about violence and Ju?rez?

I struggle with the issue of ethics a lot in my own work because I am very aware of my status as an outsider. I am not from the Ju?rez nor have I lived there, and yet I am drawn to read about, study and write about the area. I came to study Ju?rez through literature and film, and got to know the place and its people and landscapes through words and images. When I went there for the first time in 2010, it was a secret trip, because my university would not give me approval to conduct research in what was then considered the most dangerous city in the world.

When I write about the city I try to focus on individual stories, to weave them together in a way that tells about daily life. I feel like the humanity of the city and its people often gets lost in the news about violence.

4. Can you share a moment of utter writing despair, and one breakthrough moment?

There have been many moments of despair, years of despair even, because I never felt like a writer. However, I think all of those internal struggles gave me the grit to keep going and also made me realize that I have to love writing as a process. The moment I want someone else?s approval or recognition is when I give someone else control over my happiness.

One specific period [of despair] was when I moved back home to rural Arkansas to live with my parents and to write. Where I grew up in the Ozark Mountains is an extremely rural area, and I thought it would be the perfect place to focus on writing. I liked to imagine that I was a writer who would flourish alone in the woods. However, I ended up feeling extremely isolated living in a place where the only living thing I saw on a daily basis was my parent?s mean cat, Katia (my parents lived during the week in Little Rock, so I didn?t see them that often). I realized that given my extremely social nature, moving to rural Arkansas was not actually a good writing situation for me. Rather than writing, I spent a lot of my days crying.

It was after that period in Arkansas that I decide to move to Mexico City. I absolutely ate up the frenetic energy of the city, and all of that movement and interaction flowed out of me and into my writing. I realized that I was not the writer I always read about, the one who lived in some secluded area and wrote in a quiet room. I felt like I had internalized one particular idea of a writer, and had tried to make myself be that person.

However, in Mexico City, my breakthrough was to be myself, to love graffiti, jugglers, street vendors, and fried pigskin, to wander the city and take in sights, sounds and images until I was bursting at the seams.

5. Who have been major influences for you as a writer? What are you reading right now?

As a child, I loved Maurice Sendak?s Where the Wild Things Are and Pierre: A Cautionary Tale in Five Chapters and a Prologue. In Pierre, the main character, a spoiled little boy, is threatened by a lion to behave or else get eaten. In Maurice?s drawing, tiny Pierre stands in front of the lion and the line goes, ?I don?t care, said Pierre.? I loved that as a child and used to run around telling my parents or anyone I didn?t want to listen to, ?I don?t care, said Pierre.?

Even now, as an adult, I sometimes still say it. Maurice was a good friend of my Mom?s so it is hard for me to separate his writing from stories of him. About a year before he died, I visited him in Connecticut, in the wealthy neighborhood where he lived. We sat down to lunch, and he proceeded to tell a story about a recent walk in the park. He said, ?The other day I went out for a walk in the park in my neighborhood. I was walking when suddenly this wealthy lady rode up on her horse and said, ?aren?t you that famous writer. Can I stop by your house and get you to autograph a book for my daughter?? And I shouted ?I?m going to kill you.??

He was a curmudgeon but goddamned if it wasn?t beautiful to hear the truth, to laugh at this tiny writer of ?children?s books? (he hated being described as a children?s writer) absolutely terrorizing all those who might try to make him be someone he wasn?t. He was a tyrant, but a truthful one. Women simply aren?t allowed to behave like that, which is why I aspire to be like him.

In college, I had poet Nikky Finney as a professor, and taking her class on the Harlem Renaissance convinced me that I was a writer. In 2011, when Finney won the National Book Award in Poetry, her spoken word acceptance speech brought me to tears. C.E. Morgan?s All the Living is one of the most quietly powerful books I have ever read. She and I went to Berea College at the same time, and I always remember her for her Pepsi addiction. I love Junot D?az for his irreverence and sense of humor (This is How You Lose Her made me laugh until I cried) and the way he pulls off having a dirty fucking mouth even in academic settings (In 2010 I heard him give a lecture at Indiana University). If I could be reincarnated as any writer, it would probably be Peter Hessler, whose travel narratives about China (Oracle Bones, River Town) changed the way I thought about travel writing. Hessler showed me that it was possible to tell stories about change and about an entire country by following individuals over a period of years. Given my love of testimony and interviews, this was an important revelation in terms of my own writing.

I just finished reading Wild and Dear Sugar by Cheryl Strayed. She captures so well the raw, human beauty that can be found in making a mess of everything.

6. How does photography influence your writing?

Photography entered my life in a serendipitous way. I had never considered myself a photographer, had never owned a real camera. However, when I was working on my dissertation, a writer I interviewed said, ?Hey, you should meet Juli?n Cardona, a photographer from Ju?rez.? This was in 2009, and, at that time, I didn?t think photography had anything to do with my project. However, meeting Juli?n ended up changing the course of my research and, in many ways, my life.

After meeting Juli?n, I began to interview other photographers about their work on Ju?rez. When I moved to Mexico City in 2011, I wandered the city with my camera and spent weekends at markets like La Lagunilla and El Chopo, sometimes with other photographers.

On a whim, I sent a photo I took at La Lagunilla with my Iphone to National Geographic. In 2012, almost a year after submitting the photo, I got an email from Juli?n titled, ?Your photo in National Geographic.? He had been reading the magazine and spotted my photo. Although the editors of NG had sent me an email stating that the might publish my photo, I never really believed it.

Photography has influenced my writing in that I have become even more visual and detail oriented. I am a collector of strange images, and I carry them around with me until they come together and form stories. I like to make connections between images, places, and events that seem to have nothing in common.

***

Alice is currently at work on a short film project about Ju?rez photographers Juli?n Cardona and Jaime Baill?res.

In her recent essay for Vela, she writes, ?I wanted to pull the flesh from the bone, to strip away the images or move beyond them and strike at something hard and real. I wanted to find the stories behind the images, to meet the photographers who, for decades, had lived and worked in the city whose images they captured.?

Read ?Disappearances Have To Disappear.?

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Source: http://velamag.com/blog/featured-writer-alice-driver/

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Portugal to cut spending after court ruling

LISBON (Reuters) - Portugal's government will cut spending to meet targets agreed with its lenders after a court overturned key austerity measures, Prime Minister Pedro Passos Coelho said on Sunday.

Passos Coelho said in a televised address Friday's Constitutional Court ruling posed "serious obstacles and risks" this year and next, but reaffirmed his commitment to the fiscal and economic adjustment program under an EU/IMF bailout.

"The government is committed to all the objectives of the program," he said, ruling out further tax hikes but saying it was vital to avoid a second rescue and that he had told ministers to cut spending.

The court on Friday rejected four out of nine contested austerity measures in this year's budget, including cuts to holiday bonuses for pensioners and public servants and reductions in sickness leave and unemployment benefits.

Analysts expect Portugal to be able to agree replacement measures with the European Union and International Monetary Fund to make up for the court ruling, which could cost it between 900 million and 1.3 billion euros.

The entire package of austerity measures included in the 2013 budget is worth about 5 billion euros. The largest tax hikes in living memory were mostly upheld by the court.

The court's decision came before an informal meeting of euro zone finance ministers this week in Dublin expected to approve extensions of rescue loan maturities for Portugal and Ireland.

Passos Coelho acknowledged that the ruling weakened Portugal's stance at the meeting, but said he told Finance Minister Vitor Gaspar to do all he could to protect the country's interests there and achieve an extension.

The government says the extension is essential for Lisbon's successful exit from the bailout program in 2014.

Lisbon has to cut the budget deficit to 5.5 percent of gross domestic product this year from 6.4 percent in 2012, when it missed the goal but was still lauded by lenders for its efforts. The lenders have eased Portugal's deficit goals twice since the rescue was agreed, recognizing consolidation efforts.

Portugal returned to the bond market for the first time since its 2011 bailout in January, selling debt due in 2017, and has been preparing a longer-maturity bond issue. Analysts say the court ruling may now delay the new issue.

(Reporting by Andrei Khalip and Sergio Goncalves; Editing by Jason Webb)

Source: http://news.yahoo.com/portugal-government-sticks-bailout-goals-despite-court-ruling-182103272.html

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